The Mosquito

Usually I wait a few weeks before selecting my best images from a photographic shoot. I know some of my photographer friends select and work their images daily. But I prefer to let them sit awhile. I think I’m more objective and ruthless at editing after a few weeks have past. When I was going through images from our trip east this summer I came across a sequence of images I took using a Canon 5D with a 180 macro on a tripod. A mosquito was on my hand and I shot it while it filled with my blood. I remembered shooting as it pulled out but I didn’t remember shooting after it had lifted off. Here is the entire sequence put together as an animated gif in Photoshop.

The Waiting Game

You know the old saying, “I have all the patience in the world, I just don’t have time to use it”. Nature photography is often a waiting game. Sometimes it’s worth waiting and sometimes it’s not. Do you have trouble with this? I know I do. If the light is good and nothing is happening in front of my eyes, I often want to cut and run to the next location. But sometimes if you just sit tight and wait, you can get that extra special image. In the first example (above right), I was shooting in Southern Saskatchewan and spotted this Richardson’s ground squirrel at the side of the road. I used a 500 mm lens and shot from the window of the van using a bean bag for support. The light was still good but it was nearing the end of the morning shoot. I had taken what I thought were good images when I noticed another ground squirrel coming out of the same hole. After about 10 minutes I was able to take the next image (left). Now that’s a little more interesting. The voices in my head start to speak a little louder now. “That’s enough, I’m hungry, and the light is getting harsh…..”.



But wait there is a third head poking up, so I keep shooting. Finally the second and third squirrels are up and they form a nice grouping (right). Now I would love to say this always happens when I force myself to sit quietly somewhere and wait but it doesn’t. Nine times out of ten nothing interesting happens at all and I’m left wondering what I missed down the road.

What about that other side of the coin? What if there is something better down the road? It’s enough to drive you crazy if you let it. Sometimes you just have to listen to your gut and go with it. For example, I was in Brockville, Ontario during last year's Thanksgiving weekend and got up early to shoot some scenes in this picturesque town on the St. Lawrence River.

I was in the old section of town and was shooting just as the sky and city lights start to blend together. It was okay, some good stock shots but nothing dramatic. I could see the sun was just about to clear the horizon and the voices in my head started to speak. “Look there’s mist. This could be interesting”. I decide to listen to the voices and head down to the river. As the sun came through the mist it was quite dramatic. I shot a few frames and checked the histogram for exposure. (image below)
I could hear a boat coming and got myself ready to shoot as it passed the highlight in the water. (see image below)
But when I heard the rowers coming I really got excited. (see image below) So sometimes you are rewarded by staying put and sometimes you are rewarded by moving on.
How many times have you run into a photographer and they say “you should have been here 5 minutes ago”? I hear it all the time. I guess you can’t get them all. A lot of your decisions will be based on a number of factors such as how long do you have (an hour, week or month?) and how well do you know the area? This is where research and scouting locations ahead of time becomes very important. If you know where to be when the light hits, you know your options and can make more informed decisions. The more informed you are, the more you can trust those nagging voices in your head.

Creativity - Where Does it Come From?

Ideas for images come to me in the night. They come to me while I'm driving somewhere or doing something other than photography. Where does creativity come from? I'm not sure anyone knows. It comes through me and from me and when I least expect it. It's not something I can force or control. Sometimes I get a great idea when I'm stressed and under pressure, or sometimes when I'm bored and navel gazing. Whatever it is, it's the most wonderful feeling when you complete the cycle of a creative idea: capturing the image and then finally showing it. I hope to share with you through this blog, my creative journey.

Cape Spear Old Lighthouse (Digital Composite)

One fall I was under pressure to come up with an idea for an Xmas card. At the time, I was teaching image compositing at Seneca and was working on a class demonstration to turn a daylight image into night. The image was the old non-working lighthouse at Cape Spear in Newfoundland. I had just finished the image, complete with lights on, when this Xmas card crisis hit. The problem with using the lighthouse was that it was photographed in June. A winter image was needed. I looked for a snow scene with the light coming from the same direction as the lighthouse and found an image of snow drifts and grass from Manitoulin Island. I blended in this image but something was still missing. I needed a strong light source. For this I added a moon image from Northern Ontario. The final step was to add a blue tone to make it look like a cold night. It took about 48 seconds to come up with the idea but the whole process to create the image composite took about 48 hours. This was one of the first images we had posted with Getty.